Nomadic Vitrine invites artists to respond to a nomadic display case, either using it functionally to present work or intervening with it sculpturally. The vitrine, itself a redundant sculpture, replaces the gallery as a space for artists to create work in / on / for. The vitrine builds on historical notions of display and visibility, both within and beyond the gallery. The vitrine is to be placed in various locations around Birmingham, changing for each exhibition.
Forthcoming: Mick Peter, Bonington Gallery, Nottingham, 5th February – 28th March.
Opening: Friday 14th February 530 -730pm
Mick Peter lives in Glasgow, UK. His playful installations incorporate imagery influenced by illustration and commercial art. His work for Nomadic Vitrine wittily undermines the assumed hushed reverential attitude of the gallery goer. Using the inverted vitrine, the space becomes a site for an unexpected sight gag.
He has recently had solo shows at BALTIC, Gateshead (2019), Deborah Bowmann, Brussels (2018/19), Glasgow International (2018), Galerie Crèvecoeur, Paris (2017), Workplace, Gateshead (2016), Tramway, Glasgow (2015), and Drawing Room, London (2016), Popcorn Plaza, part of Generation: 25 Years of Contemporary Art in Scotland, Jupiter Artland (2014) and Almost Cut My Hair, part of Generation: 25 Years of Contemporary Art in Scotland, Tramway Hidden Gardens, (2014). Recent group shows include ‘Voyage au long cours’ atFRACNormandie Caen(2018), Natural Selection’ at Galerie 5, Angers (2016), France and ‘Corps narratifs’ at the Domaine départemental de Chamarande, Chamarande, France (2016). Puddle, pothole, portal at Sculpture Center, New York (2014), L’Echo at HAB Galerie – FRAC des Pays de la Loire, (2014), Monument at FRAC Basse-Normandie, (2014), British British Polish Polish: Art from Europe’s Edges in the Long ’90s and Today at the Centre for Contemporary Art, Ujazdowski Castle, Warsaw, (2013)