12 – 14 October 2018
Joanne Masding works in Birmingham, UK. Through sculpture and video, Masding makes work to investigate the worth, ownership and production of physical stuff, and how it translates to a world that’s increasingly digital, immaterial and reproducible. Recent exhibitions include: In the Peaceful Dome, Bluecoat, Liverpool, 2017-18; Touche Eclat, Workplace, Gateshead, 2017; Plaster Ghost Finger Cast, The New Art Gallery, Walsall, 2017 (solo). Masding has been artist in residence at 501 Artspace, Chongqing, China, Temple Bar Gallery and Studios, Dublin, Ireland and with Research and Cultural Collections at University of Birmingham. Masding’s permanent commission Flimsy Signals, made for developers Bruntwood Group, launches in late 2018.
Tickets and times can be found on the Manchester Contemporary website.